He didn’t mix the live show. He didn’t hit the record button.
But Mix Protégé member Paul Tucci knew something magical happened the night Langhorne Slim played Red Rocks.
The band was on fire. The crowd was electric. And Paul eventually got access to the multitracks from that magical night.
Langhorne Slim – photo by Cooper Baumgartner
So he opened the session and started mixing.
And like many live recordings…
one thing jumped out immediately.
🎸 The DI Acoustic Guitar Problem
The track opens with a solo acoustic guitar.
And unfortunately… it’s a DI.
If you’ve mixed live shows, you know the dilemma:
DI acoustics can feel
harsh
plasticky
disconnected from the room
Yet something interesting happens in Paul’s mix.
As soon as the vocal and band enter, the DI problem almost disappears.
Which highlights an important mixing truth.
🪄 Mixing Is Sometimes Sleight-of-Hand
When a DI acoustic is unavoidable, I’ll shape it as best I can (EQ, modeling, etc.), then lean on stage or audience mics to add natural ambience during sparse moments.
Once the band enters, those mics often get automated down so the mix doesn’t get washy.
At that point the acoustic might still be a little “DI-ish”…
…but the arrangement is doing the heavy lifting.
Sometimes Reader, mixing really is a magic trick. You’re subtly telling the listener,
“Listen to these amazing drums, bass, and electrics that just entered the song… …and pay no attention to the dry DI acoustic guitar behind the curtain!” 😬✨
🔧 Bonus: DI Acoustic Fixers
The thread also sparked discussion about plugins that reconstruct acoustic body resonance from DI signals.
A few mentioned:
UAD Sound Machine WoodWorks
SSL Acoustifier
Waves Maserati ACG
I tested the UAD plugin on Paul’s track and shared a video demo inside the forum — pretty cool results!
💬 Join the Conversation
Paul has been sharing mix revisions in the thread — including the version he sent to the artist’s management.
If you’ve ever fought the DI acoustic guitar battle, this one’s worth hearing.
👉 Hear Paul’s Red Rocks mix → and add your ears to the thread
Dana Nielsen is a Grammy-nominated mixer, engineer, producer, and multi-instrumentalist known for his work with SZA, Rihanna, Adele, Post Malone, The Smashing Pumpkins, Neil Young, Justin Timberlake, Weezer, The Avett Brothers, Bob Dylan, and Kanye West. A frequent collaborator with legendary producer, Rick Rubin, Nielsen has amassed credits that run the stylistic gamut from Neil Diamond to Slayer and just about everything in between.
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