Wow, Sam—what a beast of a mix! 🧠🎧 No wonder you’re feeling some ear fatigue. It’s a long track packed with instruments, and someone’s always soloing—so many elements competing for attention. That makes your job as the mixer super challenging… and I think you’re doing an excellent job given the complexity of the material!
Some highlights:
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Really nice tones across the board.
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Great reverb choices on both the lead vocal and the ensemble.
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The drums have a cool CTI (jazz label) dryness to them—very tasteful.
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Love the wide stereo image on the brass and wind elements—adds a lot of life.
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The bass is super clean—very DI. Could be interesting to warm it up with a parallel amp sim (something classic like an Ampeg B-15 might add some vibe).
If this were on my desk, I’d probably be donning a big ol’ 10-gallon producer hat. I’d be muting those quadruple-tracked background vocals that come in right away 😬, tuning and taming the lead vocal a bit more, and simplifying where possible—like choosing moments for brass and winds to shine, and carving out clearer rhythmic pockets in the groove. Just doing anything I could to guide the listener more easily through the song.
Of course, a lot of that veers into producer/arranger territory—and those decisions can be tricky if the artist is attached to the current arrangement. But given what you’re working with, your mix choices are seriously impressive. 👏👏
Hope that all makes sense! Hats off to you, Sam—great work on a very tough mix!