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Michael, I spent my day learning some new mastering software and let’s see if this result addresses any of the mentioned suggestions. Ozone 11 is a mastering suite in the digital domain. There are many modules that range from analog simulations, digital EQs, compressors of different flavors, limiters with or without parallel processed grit, AI powered shapers that try to aim the frequency response to a reference. There’s even a variable band-with EQ low frequency that can identify transient or sustained sounds and accentuate on or the other. I used that one to bump the Bass Guitar up a couple dB to be more audible against the kick. Another module can identify the Vocals and treat them separately from the rest of the two track. (Unlike the RIP-x mentioned the other day which does stem separation.) I gave the Vocals +.8 boost. I think it makes your work take a step into a poppier place. See if anything moves you. -PT