Member Dana Nielsen
MemberForum Replies Created
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PS – Just a reminder to all:
- please upload songs as mp3 rather than links per the Read Me in the Member Spotlight forum.
- Also please give your posts a unique title to make them more easily identifiable and sortable. Adding the song title to your post title is an easy way 😊.
Thanks fam!
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Dude, this is awesome! I’m listening on headphones at the moment and will check it out in the studio tomorrow, but it sounds sick in the headphones! Great work! So much fun ear candy and arranging, it’s got booty and sparkle, the singer sounds great, and it’s a killer song – sounds like a hit! I’ll give this another listen on the bigs when I get a chance.
Only thing that stood out to me is I really wanted a loud, chunky, 8th-note, no-accent tambourine during the section at 1:35 (post-chorus?) to give it a lift and some party energy for that section.
Who’s the artist? Did u produce and co-write too? Bravo! 👏
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Holy smokes you guys … I’m testing out some new (sorta expensive 😬) integrations to make our Mix Protégé videos completely searchable. Try it out here on our recent Q&A hang and see what you think!
- Try clicking on the magnifying glass and searching the word “limiter” for example.
- Try clicking on the AI “magic wand” and asking it to “list all plugins mentioned in this video”* (ah, shoot, looks like that requires login, at least for the trial account I’m on at the moment – but it’s got amazing potential! I’ll attach a screenshot below as an example)
- Try clicking the Chapter icon for waaay more detailed chapter locations than I could/would do by hand (all created in an instant).
It’s pretty trippy!! Lemme know what you think.
PS – while I’m in trial mode there isn’t a way to embed the vid here on MP with all these advanced features so, meantime, this link will take you to my app.membership page.
app.membership.io
Zoom Replay: Mix Protege Q&A 2024-12-13
Event Summary: The Q&A session offered a dynamic and collaborative space for participants to explore audio production topics. Led by Dana Nielsen, the session included discussions on mastering techniques, loudness normalization, favorite production tools, and workflow tips. Participants like Franco, … Continue reading
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Here’s the screenshot of what the AI “co-pilot” thingy looks like … this made my jaw drop!
I’d love to be able to share this feature with u all here, embedded on Mix Protege if possible! I’ve got an email in to the developer to see if that’s possible on one of the paid tiers…
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Heck yeah, Jesse!
What you’re describing is exactly how/why I use my beloved little Radio Shack ‘Realistic’ speakers, which are positioned on a shelf on the other side of the room, pushed together to simulate mono sound, and far enough away from me so I’m never listening to those in the “sweet spot”. There literally is NO sweetspot for those, lol. Just “mono” midrange boom-box-style audio … the most important stuff to focus on. And I probably spend 50% or more of my mixing time on those lil guys! 🙀
This concept and process is outlined in my “Chaos to Clarity” pdf. Check it out and lemme know what ya think!
https://mixprotege.com/chaos-to-clarity/
mixprotege.com
Declutter any mix in 4 simple steps!
Bring definition and focus to any mix with my 4-step
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OMG! I have a zillion wonderful memories of that epic adventure while watching this video again, @jlew, @horse, and @phillipbroussard!!! Gonna post a few pics here if I can. That particular day was a freaking SCORTCHER! 🥵 And the hike to that spot, carrying all our equipment … @detective just be happy we wore anything at all! LOLOL
What an UNREAL album and experience I will never ever forget.
Backstory for readers unaware of Jesse and Ike’s duo, Endless Field, these “field recordings” are done in remote wilderness using only battery and solar power for our recording equipment. You can check out all the videos from this album, each song filmed in a different remote location, at their website, https://www.endlessfieldband.com/
You really should – they’re all freaking amazing!
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Awe, thanks, Joe! I’m so glad you connected with the Endless Field music and vids – and I love that you, too, are doing a lot of outdoor recording in nature!
You should check out the livestream page for vids of me working on @horse‘s large ensemble project, which also features @jlew – it’s more absolutely gorgeous music from these two ‘bad cats’!
mixprotege.com
Grammy-nominated producer, mixer, engineer, Dana Nielsen, brings you behind the scenes streaming LIVE from his Los Angeles studio.
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Hey @pat – great question!
Quick Answer: I start all mixes with Sonarworks turned on (@77%).
Explanation: Sonarworks’ “SoundID Reference” plugin is a speaker correction product designed to “correct” shortcomings in your listening environment (i.e. frequency dips and resonances created by speaker placement, room shape, proximity to reflective surfaces, etc.).
So, to answer your excellent question, I’ll ask you a question of my own:
When would be a good time to correct my listening environment so that I can make well-informed mix decisions?
- a) before I begin mixing so I won’t make EQ and volume decisions based on my individual listening environment’s shortcomings.
- b) after my mix is finished so I become thoroughly confused and might decide to start over again. I love a bottomless pit of acoustic challenges and confusion.
😂 Hopefully the answer is clear. But you do you! Also worth noting: 77% is a blend amount that I quickly decided on years ago and have never changed. It sounds “right” to me and works well for me and my environment. Your results may vary, and I recommend everyone to find a blend % that works well and sounds good to them in their own environment. And if that means 100% works best – so be it! Nuthin wrong with that.
Hope this helps!
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Awe, this means the world to me, @dave – thank you SO much!!
I’m so glad you enjoyed the replay and that it jogged your memory about RX, too – haha. That software is absolutely bonkers!
Happy holidays to you and yours as well, man! Thank you!
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YESSS! You’re en fuego, homey!! Love that you’re diving deep into this stuff – and crushing it!
Lookin fwd to hearing your next masterpiece! ⚡️🎚️🥰
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This is so great, Paul!!! Excellent points (and pretzels 🥨🤤)!
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science still works. At least through the end of the year . 🇺🇸
😂 Wow, I almost spit out my coffee when I read that, Paul, LOL
This is super cool and scientific and enlightening, man – thanks for putting this together and sharing your results!! Very cool, Doctor Detective!
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😂😂😂
You’re too kind and too funny, Paul.
No need to list me in any particular order, @drewb – It’s a team effort here! 😂 🥰
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Right on, Drew! Happy to help!
And, while I do use SubSynth quite often (love that plugin), I know what you mean … it can quickly add the wrong vibe to a natural-sounding acoustic record. In those cases I might try only using the highest frequency knob of the SubSynth (50-60hz if memory serves) as that tends to sound less like an octaver. Or I might try waves R-Bass as an insert on the bass bus, which works a bit differently – more psychoacoustic than synthetic octave.
Happy bass-boosting! 🔊
