Forum Replies Created

Page 1 of 14
  • Paul Tucci

    Member
    at 1:51 pm in reply to: Drum ensemble from 2004

    I extended the low end of the big drums the same way I did for @JLew ‘s acoustic guitar.

    ie, send a duplicate channel low passed (100 Hz ish) to a pitch shifter down an octave and feed just that thunder back into the stereo buss with the original. Voila! You create bigger balls than that Bigger Balls DOGE kid.

    @-PT

  • Paul Tucci

    Member
    at 5:57 pm in reply to: “WE” Mix Feedback Please:)

    JLew,

    What a beautiful composition. And sentiment. That section you create (1:57) when the bass drops in, the horn line descends, and the choir of quasi-falsetto J-Lettes spread their wings and sing like angels is moving.

    More J-Lettes! That’s my mix suggestion.

    Maybe lose the guitar squeaks too??

    She is you And you are she.

    As you are me and we are all together.

    Goo goo g’job!


    @-PT

  • Paul Tucci

    Member
    at 3:28 pm in reply to: Give It A Name

    James,

    Much better in stereo! I heard the Meetup replay and it was all glorious mono.

    I like bold toms that jump out and yours certainly do that.

    That last little bit of a cappella vocals is a nugget of goodness that I wanted to hear earlier somehow.

    @-PT a 70-16 y/o

  • I’m sorry I missed the meetup today. That looked like and sounded like much more fun than I was having at the time.

    PT

    • Dana,

      I think I had subscribed earlier but knowing my eye doctor appt conflicted I put the meetup in the no-can-do-pile. The small group appeared to make the meetup more conversational.

      PT

  • Paul Tucci

    Member
    at 5:05 pm in reply to: Drum ensemble from 2004

    Yea, to me, some of the “octavized” bass sounded off and unneccesarily deep when the second-biggest drums were playing so I just deleted that in sections and held back the oomph for a more dramatic effect when the biggest drums re-entered.

    …Commit the processed track to audio, then chop it out where it’s deemed illegal. I suppose automating the level is a more elegant approach. It’s good to be a king.

    I have a couple more drum pieces from the event to dig into for some more moments of fun.

    @-PT

  • Paul Tucci

    Member
    at 8:51 pm in reply to: Snow Day – Mix Feedback

    Dana,

    The Spectral Recovery module of iZotope RX11 Advanced is the culprit. The demonstration of it is uncanny. Put in a bandwidth limited telephone-like voice and it spits out upper and lower harmonics that make it sound beIievably naturaL The upgrade from the standard version is $400 ish. Kinda pricey.

    @-PT

  • Paul Tucci

    Member
    at 2:43 pm in reply to: Snow Day – Mix Feedback

    @JLew

    Awaiting the phone recorded AC guit to proceed with my Franken guitar experiment. My RX-11 doesn’t have the module I’m needing but I can can grab an advanced version free trial. I’ve heard it ake a bandwidth limited voice and recreate the undertones to make it full bodied. Should be perfect on your high passed beater gt.

    @-PT

  • Paul Tucci

    Member
    at 5:37 pm in reply to: Snow Day – Mix Feedback

    I like that you interpreted the splash as a UFO falling from the sky. I was going for the comedic moment and that was a royalty-free goose related sound effect I found. You wrote the ending better than I did. Gracias.

    PT

  • Paul Tucci

    Member
    at 5:33 pm in reply to: Snow Day – Mix Feedback

    Yowza. that’s just gorgeous.

    PT

  • Paul Tucci

    Member
    at 10:43 am in reply to: Snow Day – Mix Feedback

    Jesse,

    I ditched the AI and took another swing at your piece. This time it was all from inside my head.

    PT

  • Paul Tucci

    Member
    at 2:10 pm in reply to: Any Other Way

    Thanks fellas,

    When Jesse made that observation that it sounds like a real band he nailed it. There’s no layering of other instruments going on, no tambo on the second chorus to lift the party mood as Dana will reply. Pretty basic stuff but a catchy little riff. He’s learning to think and hear beyond the now, as the band plays, into what the band might could arrange to add syncopation and more textures. … He called me this AM and wanted me to listen to a bongo part he added to the intro of the next release.

    Jeremy. I hope you get that Daddy-daughter moment. I’ll cherish the moment my boy came off the stage after a set at the local record store / punk club. First gig playing music other than the high school orchestra stuff. He had bug eyes goin’ on, just radiated energy. He was bitten by the bug. I can recall when precisely i was bitten by that same bug, but in my case there were hallucinogenics involved.

    I’ve got good stories. Most of them are true. (@patent pending)

    PT

  • Paul Tucci

    Member
    at 4:07 pm in reply to: This Cloud

    Jeremy,

    Cool. I am always happy when suggestions I conjure up get adopted. It’s good training to figure out what the writer’s intent seems to be and then support it with something fitting. Thanks for letting me in the sandbox.

    @-PT

  • Paul Tucci

    Member
    at 4:03 pm in reply to: Snow Day – Mix Feedback

    You’ve created a very vibey invocation of sorts. You effectively take the listener on a journey. The use of or amount of verb on the voice is immaterial. There’s a valid experience either way. Different rules apply, it’s not a pop song.
    👏 👏

    @-PT

  • Paul Tucci

    Member
    at 3:30 pm in reply to: Snow Day – Mix Feedback

    I didn’t even listen to the new version before this reply to say that you just set a new standard in replying. I think the format you used, quoting the listeners’ comments and then addressing them one by one is superb.

    PT

Page 1 of 14